By Anna Nahmias, Media Intern

The Scratch programing language is a great example of visual/code collaboration. Targeted towards the younger mind, Scratch lets users create projects from animations to video sensing with little-to-no coding. Collaboration with Scratch doesn’t stop at design and code; it’s also collaboration with the creators, the Lifelong Kindergarten Group at the MIT Media Lab, and its users, like you and me. It’s people building off of each other’s knowledge and experience.

Credit: scratch.mit.edu

The interface has bright colors and building-block-coding. As mentioned on the Scratch about page, “Scratch helps young people learn to think creatively, reason systematically, and work collaboratively”¹. It would be amazing to see this software in middle school classes, perhaps a digital media or animation class. Then the student gets to decide what they want to focus on when considering colleges or even just a hobby.

The “inside” screen, or coding screen, of a project made with Scratch

Kids are smart. If you give them the tools they’ll figure it out. Maybe it’s the lack of pollution in both their minds and life. I suppose this idea could apply to us adults as well, if you give us the tools we’ll build it.

A quote from a Scratch user, “My 8-year-old brother and I have been active participants of the Scratch Online Community for over a year. I enjoy designing and programming games and animations with other kids, because different people have different skills, and when you work together, you can build a much better project than you can alone”².

Collaboration is key; you can only accomplish so much yourself.

¹http://scratch.mit.edu/about/

² http://scratch.mit.edu/info/quotes/

About a month and a half ago, I started writing a blog post about Leena Snidate, the influential and talented Finnish designer who produced the now-iconic Heartbleed logo for Codenomicon in “just a couple hours.”

Heartbleed logo is free to use, rights waived via CC0.

And it’s a brilliant logo — vivid and emotionally resonant. It probably contributed to a lot of people becoming aware of the bug and taking steps to mitigate their risk.

You should check out the designer’s story. It’s pretty cool.

But something kept nagging me…

What struck me most was the irony of the events: graphic designer beautifully and evocatively illustrates one of the most serious security flaws yet to surface in the history of the Internet. That’s all she does. That is where her role begins and ends.

Visual imagery has enormous power. It jump-starts the emotions; conveys in a split second what might take hours to explain with words. We usually consider visual thinking to be primarily a tool for advertising or communications. But visual thinking is also a means for problem solving. It is creative, dynamic, and sequential. It is also one of the most powerful means to make the abstract concrete and comprehensible.

Art meeting code can mean much more than logos that describe software. Even beautiful, effective, high-impact logos. We want designers, artists, and students to know that more is possible.

In the coming weeks, we will be be sharing some examples of creative collaboration between the art and tech worlds that push boundaries and inspire us to build better tools to create and share. We are still accepting stories and examples — send to media@yesexactly.com.

My name is Anna Nahmias and I am a student studying digital media and website development and design. I’ve always loved technology and digital media. I enjoy digital photography and have recently dived into the world of website development and design. There’s something about clicking a computer mouse or the shutter button of my camera that feels natural to me opposed to a holding a brush or a stick of charcoal. Well it’s not just anything; it’s the instantaneous results. Being able to see a mostly finished product before I’m done working on it and having the ability to change it back or continue working without a problem is huge plus for me. I’ve thrown myself over hurdles and pulled myself through the hoops of programming and it simply takes more than what I can do to merely program or develop; I crave instantaneous and visual creativity. When I first met with Yes Exactly’s CEO she mentioned “Thematizer” and honestly it sounded awesome. It was very exciting for me in that great artsy-nerdy way.

The Thematizer, art meets code, is huge for the digital industry whether you know it already or not. The current relationship between design and development, art and code, is basically having the idea or dream of making or doing something, without the ability, recourses. This lack of individualism causes the dreamer to network, which is not necessarily a bad thing. The problem with networking is that the dreamer has to share their vision with another person. Ideas, views, feelings, emotions, anything can be lost in translation from one to another. Everyone works on their own levels of technicality, some very precise, others broad and general. Saying, “I want a clean simple website template” brings numerous ideas to my mind, but they all look pretty different from each other. Thematizer will give the dreamer the tools to make their dream a reality, with little to no risk for misunderstandings.

There are tools out there that are like the Thematizer, so in a broad category it’s not the first of its kind.  Thematizer is put together by people who have a passion for design and or development. It is built by people who want to connect not by people who want to make a fast or big buck. There’s love, sweat, and passion in Thematizer, and that’s not something you see in not only most applications, but most things nowadays.

The Thematizer builds a bridge, a bridge connecting the creator and the constructor; the designer and the developer. Similar to how artists and architects, or engineers and technicians can be grouped together, yet they both have different purposes. Having the Thematizer around will make constructing a website much easier, simpler, and personal. Whether you’re a designer or developer this is definitely worth looking into or even getting involved with.

Making the Case for an Independent Web

Part Two of Two

Last week, I was lucky enough to see Amy Goodman speak at the University of Massachusetts, Amherst. She and the other speakers made an impassioned case for the importance of independent media: film, radio, books, and other forms of journalistic storytelling. What is interesting is that the open source and free software movements share very similar goals and ideologies to independent media creators, but their points of intersection are few. When tech and indie media do come together, it tends to happen because a particular talented individual possesses multiple sets of skills (for instance, is both a musician and a programmer) and not because there are formal or informal communities organized to facilitate these interactions.

Gutenberg Printing Press –  Credit: Wikimedia Commons

Our sponsoring organization, 119 Gallery of Lowell, MA, provides a place-based, experiential model for bridging this divide.

My company, Yes Exactly experiences the divide somewhat differently — in the form of artists, journalists, and other independent culture creators coming to us in search of affordable, professional websites. In our first years of operation, this was pretty much our niche. I was able to create a simple framework that worked to create  unique, aesthetically pleasing sites that did not require a lot of custom programming — however, as we grew, I found that designers who were not themselves programmers required more structure and better ability to preview their work. Hence, the Thematizer.

Our company was built on open-source technology (primarily WordPress and Drupal), so we felt it was time to give something back. We decided to go ahead and build something that would make the web a more interesting, aesthetically pleasing, and usable place. Something that would make it just as easy to create a custom design using open-source platforms as using corporate, proprietary software. Something that would give independent artists and businesses a vital tool to compete and communicate in the online world — even against much bigger, better-funded players.

If we’re successful, our competition will be using this tool too. And we’re fine with that. In fact, it’s a benchmark of our success.